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To enhance the value of theatre-finder.org we intend to offer information of special interest to researchers, especially those interested in proposing a restoration or preservation project for an historic theatre.

While we have not set the parameters of all this might include, we expect to have a master bibliography which will include general works on the subject of historic theatre architecture, all works listed in the bibliographies provided for each theatre that has been given a full entry, and works that relate to theatres that have not received a full entry in theatre-finder.org.

We also hope to include primary documents, conference papers submitted to us by interested scholars, and research/conservation reports developed by those proposing theatre renovations. Each entry will be in standard bibliographical form but will end in a two letter code that will identify the country of the theatre it covers or will designate it as a general work or multi theatre work.

We will also identify each entry by type so the bibliography can be easily sorted. If there is a digital text available on our web site or elsewhere on the world wide web, we will link to that text.

  • Adams, Graham C. The Ottoneum Theater: An English Survivor from 17th-Century Germany. 1937. Reprint, New York: AMS Press Inc., 1993.
  • Adams, John Cranford. "How Large was the Globe Playhouse?" Shakespeare Quarterly 33, no. 1 (1982): 93-94.
  • Akurgal, Ekrem. Ancient Civilization and Ruins of Turkey. 9th ed. Istanbul: Net Turistik Yayinlar, 2001.
  • Akurgal, Ekrem. Ancient Civilizations and Ruins of Turkey. Translated by John Whybrow and Mollie Emre. 2nd ed. Istanbul, Turkey: Mobil Oil Turk A.S., 1970.
  • Alb, Armando Diaz de Leon de. Teatros de Mexico. Banamex, 1992
  • Allen, James Turney. "On the Odeum of Pericles and the Periclean Reconstruction of the Theatre." University of California Publications in Classical Archeology 1, no. 7 (1941): 173-177.
  • Allen, John Jay. The Reconstruction of the Spanish Golden Age Playhouse. Gainesville, FL.: Univ. of Florida Press, 1983.
  • Allen, John Piers. A History of the Theatre in Europe. Michigan: Heinemann Educational Books, 1983.
  • Allen, Ralph G. "Kemble and Capon at Drury Lane, 1794-1802." Educational Theatre Journal 23, no. 1 (1971): 22-35.
  • Alm, Goran et al. Drottningholm. Translated by Roger G. Tanner. Stockholm: Strangnas Tryckeri AB, Strangnas, 1981.
  • Aloi, Roberto. Architetture per lo spettacolo. Milano: Ulrico Hoepli Editore, 1958.
  • Amati, Giancinto. Richerche Storico-critico-scientifiche. Vol. 2. Milano: 1828.
  • "Ancient Greek Theatres." Thespis, no. 7 (December 1973): 9-38.
  • Anderson, William and Richard Spiers. The architecture of Greece & Rome: a sketch of its historic development. London: Bradbury, Agnew, & CO. LD., Printers, 1902.
  • Anti, Carlo. Guida per il Visitatore del Teatro Antico di Siricusa. Firenze: Sansoni [1948?].
  • Arnott, Peter. The Ancient Greek and Roman Theatre. New York: Random House, 1971.
  • Arnott, Peter. Greek scenic conventions in the fifth century B.C. Westport, Conn.: Greenwood Press, 1978.
  • Arnott, Peter D. Public and Performance in the Greek Theatre. New York: Routledge, 1991.
  • Arnott, Peter D. An Introduction to the Greek Theatre. Bloomington: Indiana University, 1967.
  • Arundell, Dennis The Story of Sadler Wells. London: H. Hamilton, 1965.
  • Ashby, Clifford. Classical Greek Theatre. Iowa: University of Iowa, 1999.
  • Ashton, Geoffrey and Ian Mackintosh. The Georgian Playhouse: Actors, Artists, Audiences and Architecture 1730-1830. London: Hayward Gallery, 1975.
  • Asington, John. English Court Theatre 1558-1642. Cambridge: Cambridge University Press, 1999.
  • Associated Press. "2,500-year-old Greek theatre under the Acropolis to be restored." The Guardian. http://www.guardian.co.uk/world/2009/nov/25/greek-theatre-to-be-restored. (accessed 26 November, 2009).
  • Astington, John H., ed. The Development of Shakespeare's Theatre. New York: AMS Press, 1992.
  • Ault, C.T. "Tessin's Notes on Baroque Theatre at Villa Contarini, 1688." Theatre History Studies, 14 (1994): 151-64.
  • Baker, Henry Barton. The London Stage: Its History and Traditions. 1889. Reprint, London: W.H. Allen and Company, 1996.
  • Baker, Paul. Are you going to build a theatre? National Theatre Conference, 1947.
  • Bandyopadhyay, Soumyen. The Collection, the Ruin, and the Theatre: Architecture, Sculpture and Landscape in Nek Chand's Rock Garden, Chandigrh. Liverpool: Liverpool University Press, 2007.
  • Baran, Musa. Troy, Pergamon, Sardes, Izmir, and its Surroundings. Trans. Hulya Terzioglu. Izmir, Turkey: Molay Matbaacilik, 1980.
  • Barker, Kathleen. The Theatre Royal , Bristol: 1766-1966. London: Society for Theatre Research, 1974.
  • Barranger, Milly S. Theatre: a Way of Seeing. 6th ed. Belmont: Holly J. Allen, 2006.
  • Barron, Michael. Auditorium Acoustics and Architectural Design. New York: Spon Press, 2009.
  • Barry, Edward Middleton. "On the Construction and Rebuilding of the Royal Italian Opera House, Covent Garden." Papers of the Royal Institute of British Architects. (1859-60): 53-64.
  • Bartusek, Antonin. "Castle and School Theatres in the Czech Lands." Interscaena-acta Scaenographica 4 (Summer 1970): 1-23.
  • Baur-Heinhold, Margarete. The Baroque Theatre. Translated by Mary Whittall. New York: mcgraw-Hill Book Co., (1967).
  • Beacham, Richard C. The Roman Theatre and Its Audience. Cambridge: Harvard University Press, 1991.
  • Bean, George E. Aegean Turkey: An Archaeological Guide. London: Earnest Benn Ltd., 1966.
  • Bean, George E. Lycian Turkey: An Archaeological Guide. 2nd ed. London: John Murray Ltd., 1989.
  • Beauvert, Thierry. Opera Houses of the World. New York: Vendome Press, 1996.
  • Beijer, Agne. Court Theatres of Drottningholm and Gripsholm. Translated by G.L. Froelich. 1933. Reprint, New York: Benjamin Blom, 1972.
  • Bennett, Susan. "Theatre/Tourism." Theatre Journal 57, no. 3 (2005): 407-428.
  • Beranek, Leo. Concert Halls and Opera Houses: Music, Acoustics, and Architecture. New York: Springer, 2004.
  • Beranek, Leo. Concert and Halls: How They Sound. Melville, NY: American Institute of Physics, 1996.
  • Bergan, Ronald. The Great Theatres of London: an Illustrated Companion. San Francisco: Chronicle Books, 1988.
  • Bernabo Brea, Luigi. "Studi Sul Teatro Greco di Siracusa". Palldio, n.s. 17 (1967): 97-154.
  • Berve, Helmut, and Gottfried Gruben. Greek Temples, Theatres, and Shrines. New York: Harry N. Abrams, Inc., n.d. (c 1963).
  • Bieber, Margarete. The History of Greek and Roman Theater. 2nd ed., rev. And enl. Princeton, N.J.: Princeton University Press, 1961.
  • Bier, Lionel. "The Lower Theatre at Balboura." Anatolian Studies 40 (1990): 69-79.
  • Bier, Lionel. "The Upper Theatre at Balboura." Anatolian Studies 44 (1994): 27-46.
  • Blitgen, Carol. "Il Teatro Olimpico: A Stylistic Analysis." Theatre Design & Technology (Winter 1985): 18-21.
  • Bloom, Martin. Accommodating the Lively Arts: An Architect's View. New Hampshire: Smith & Kraus, 1997.
  • Boethius, Axel, and J.B. Ward-Perkins. Etruscan and Roman Architecture. Baltimore: Penguin Books Inc., 1970.
  • Bojanic, Ivo. Die Insel Hvar, Kleiner Reisefuhrer. Rijeka: Druck Novi list, 1960.
  • Books, LLC. 1585 Architecture: Teatro Olimpico. (N.p.: General Books, 2010.)
  • Bowman, Ned Alan. "Investigating a Theatrical Ideal: Wagner's Bayreuth Festspielhaus." Educational Theatre Journal 18 (December 1966): 429-38.
  • Bowsher, Julian. The Rose and the Globe: Playhouses of Shakespeare's Bankside, Southwark : Excavations 1988-91. London : Museum of London Archaeology, 2009.
  • Bowsher, Julian. The Rose Theatre: an archaeological discovery. London: Museum of London, 1998.
  • Boydell, Peter. "The Manoel Theatre, Malta." Theatre Notebook 12 (Spring 1958): 91-93.
  • Braun, Kazimierz. Przestrzen Teatraina. Warsaw: 1982.
  • Brayley, Edward Wedlake. Historical and Descriptive Account of the Theatres of London. London: 1826.
  • Brandt, George W., ed. German and Dutch Theatre 1600-1848. New York: Cambridge University Press, 1993.
  • Breton, Gaelle. Theaters. Stuttgart: Krämer, 1991.
  • Brockett, Oscar G. and Franklin J. Hildy History of the Theatre. 11th ed. Boston: Allen and Bacon, 2012.
  • Brown, John Macon. "Some Court Theatres." Theatre Arts Monthly 13, no. 3 (March 1929): 183-6.
  • Brown, John Mason. "An Eighteenth Century Theatre." Theatre Arts Monthly 13 (April 1924): 243-258.
  • Brownson, Carleton L. "Excavations by the School at Eretria, 1891: V. The Theatre at Eretria. Orchestra and Cavea." The American Journal of Archaeology and of the History of the Fine Arts 7, no. 3 (September 1891): 266-280.
  • Brownson, Carleton L. "Further Excavation at the Theatre of Sicyon in 1891." The American Journal of Archaeology and the History of the Fine Arts 8, no. 3. (Jul.-Sep., 1893): 397-409.
  • Brubaker, David. Court and Commedia: The Italian Renaissance Stage. New York: Richards Rosen Press, 1975.
  • Brunner, Herbert. The Old Residence Theatre in Munich. Translated by Margaret D. Senft-Howie. Munich: Bayerische Verwaltung der Staatlichen Schloesser, Garten und Seen, 1960.
  • Brusatin, Manlio, ed. Il Teatro La Fenice: i progetti, l'architettura, le decorazioni. Venezia: Albrizzi, 1987.
  • Buckham, Philip Wentworth. Theatre of the Greeks. London: Cambridge University Press, 1827.
  • Buller, Jeffrey L. "Looking Backwards: Baroque Opera and the Ending of the Orpheus Myth." International Journal of the Classical Tradition 1, no. 3 (Winter 1995): 57-79.
  • Burris-Meyers, Harold. Theaters and auditoriums. New York: Reinhold, 1949.
  • Butler, James. The Theatre and Drama of Greece and Rome. Chandler, AZ: Chandler Publishing Co., 1972.
  • Buzzi, Tomaso. "Il Teatro all'antica di Vicenzo Scamazzi in Sabbioneta" (The "theatre in the ancient manner" of Vicenzo Scamazzi in Sabbioneta). Dedalo 8 (January 1928): 488-524.
  • Cairns, Christopher, ed. Design, Image, and Acting. Vol. 2 of The Renaissance Theatre: Texts, Performance, Design. Aldershot, England: Ashgate Publishing Limited, 1999.
  • Cairns, Christopher, ed. Scenery, Set and Staging in the Italian Renaissance: Studies in the Practice of Theatre. Lewiston, NY: Edwin Mellen Press, 1996.
  • Campbell, Constance. "The Uncompleted Theatres of Rome." Theatre Journal 55, no. 1 (2003): 67-79.
  • Camp, Pannill. "Theatre Optics: Enlightenment Theatre Architecture in France and the Architectonics of Husserl's Phenomenology." Theatre Journal 59, no. 4 (December 2007): 615-33.
  • Capps, Edward. "Excavations in the Eretrian Theatre in 1894." The American Journal of Archaeology and of the History of the Fine Arts 10, no. 3 (July-September 1895): 338-346.
  • Capps, Edward. "The Greek stage according to the extant dramas." American Philological Association. Transactions. 22 (1891).
  • Caristie, Auguste. Monuments Antiques a Orange: Arc de Triomphe et Theatre. Paris: Typographie de Firmin Didot freres, Fils et Cie., 1856.
  • Carlson, Marvin. "Scandinavia's International Baroque Theatre." Educational Theatre Journal 28, no. 1 (1976): 5-34.
  • Carlson, Marvin. Places of Performance: The Semiotics of Theatre Architecture. New York: Cornell University Press, 1993.
  • Carlson, Marvin. "The Theatre as Civic Monument." Theatre Journal 40, no. 1 (March 1988): 12-32.
  • Carrick, Edward. Baroque theatre construction : a study of the earliest treatise on the structure of theatres by Fabrizio Carini Motta, architect and scene designer at the court of Mantua, 1676. Great Britain: Bledlow, 1982.
  • Carrick, Edward. "The Theatre of Parma," Theatre Arts Monthly 15, no. 3 (March 1931): 201-208.
  • Carter, Rand. "The Drury Lane Theatres of Henry Holland and Benjamin Dean Wyatt." Journal of the Society of Architectural Historians 26, no. 3 (October 1967): 200-216.
  • Castagno, Paul C., ed. Theatrical Spaces and Dramatic places: the Reemergence of the Theatre Building in the Renaissance. Vol. 4. Alabama: The University of Alabama Press, 1996.
  • Cazzato, V., M. Fagiolo and M. A. Giusti. Teatri de Verzura: la Scena del Giardino dal Barocco al Novecento. Firenzi: EDIFIR, 1993.
  • Cerver, Francisco. New Architecture 9– Places of Entertainment. Barcelona: Atrium, 1992.
  • Cesnakova, Milena. "The Theatre at the Hlohovec Chateau (1802)." Interscaena-acta Scaenographica, (n.s.) 3, no. 2 (1973): 27-33.
  • Chambers, E K. The Elizabethan Stage. Toronto: Nabu Press, 2010.
  • Chang, L, and L Dao-He. "Theatre Architecture: Now and Then." Theatre Crafts 23, no. 4 (1989): 88.
  • Chase, Raymond G. Ancient Hellenistic and Roman Amphitheatres, Stadiums, and Theatres. New Hampshire: Peter E Randall Publisher, 2002.
  • Cheney, Sheldon. The Open-Air Theatre. New York: Mitchell Kennerley, 1918.
  • Cheshire, D.F. The Old Vic Refurbished. London: The Old Vic Ltd., 1983.
  • Chlepa, Eleni Anna. "The Architecture of the Roman Odeion at Kos." The Annual of the British School at Athens 94 (1999): 415-435.
  • Choquet, Edouard. Theatre Ancien; Resume Historique d'Architecture Aperçu de l'Histoire et de la Litterature…Leurs Rapports avec l'Hygiène. Paris: Tresse & Stock, 1887.
  • Chourmouziadou, K., and J. Kang. "Acoustic Evolution of Ancient Greek and Roman Theatres." Applied Acoustics 69, no. 6 (2008): 514-529.
  • Ciancarelli, Roberto. Il progetto di una festa barocca: alle origini del teatro farnese di Parma (1618-1629). Biblioteca del Cinquecento, vol. 35. Roma: Bulzoni, 1987.
  • Ciancio Rossetto, Paola; Giuseppina Pisani Sartorio (eds); Jean Duvignaud (texts) Teatri Greci e Romani: alle origini del linguaggio rappresentato. Rome: SEAT, 1995.
  • Cimok, Fatih. Pergamum. Istanbul: A. Turizm Yayinlari, 2001.
  • Cobes, John Paul. "The Court Theatres of the Farnese from 1618 to 1690." Phd diss., Ohio State University, 1967.
  • Cogswell, Margaret. The Ideal Theater: Eight Concepts: An exhibition of designs and models resulting from the Ford Foundation Program for Theatre Design. New York: American Federation of Arts, 1965.
  • Collins, Fletcher, Jr. "The Relation of Tudor Halls to Elizabethan Public Theatres." Philological Quarterly 10 (July 1931): 313-316.
  • Constant, Caroline. The Palladio Guide. Princeton: Princeton Architectural Press, 1985.
  • Contant, Clement, and Joseph de Fillipi. Parallele des Principaux Theatres Modernes de L'Europe et des Machines Theatrales Francaises, Allemandes et Anglaises. 1860. Reprint. New York: Benjamin Blom, 1968.
  • Cook, J.M. and Plommer, W.H. The Sanctuary of Hemithea at Kastabos. Cambridge: Cambridge University Press, 1966.
  • Corneilson, Paul. "Reconstructing the Mannheim Court Theatre." Early Music 25, no. 1 (1997): 63-68+70-76+79-81.
  • Cornell, Tim, and John Matthews. Atlas of the Roman World. New York: Facts on File, 1982.
  • Corry, Percy. "Richmond Preserv'd." TABS 20 (September 1962): 8-13.
  • Council of Europe and the Greek Ministry of Culture. A Stage for Dionysos: Theatrical Space and Ancient Drama. Athens: Spyros Mercouris, 1998.
  • Cowden, Robert H. Review of Deutsche Theaterbauten Bis Zum Zweiten Weltkrieg. Typologisch-Historische Documentation Einer Baugattung, by Harold Zielske. TD&T, no. 35 (December 1973): 36.
  • Cox, John D. and David Scott Kastan. A New History of Early English Drama. New York: Columbia University Press, 1997.
  • Craig, Edward. Baroque Theatre Construction. Haddendam, UK: The Bledlow Press, 1982.
  • Craig, Edward Anthony (Edward Carrick). "Theatre of Parma." Theatre Arts 15 (March 1931): 201-8.
  • Craig, Edward Gordon. Books and Theatres. London: J.M. Dent, 1925. Reprint, Freeport, New York: Libraries Press, 1967.
  • Craig, Edward Gordon. "The Opera House of the Palace of Versailles." Mask 12 (January 1926), 20-21.
  • Craig, Edward Gordon. "The Theatre of Sabbioneta." Architectural Review 54 (December 1923): 195-200.
  • Crocioni, Giovanni. I Teatri di Reggio Nell'Emilia. Reggio-Emilia: 1907.
  • Cruickshank, Dan, ed. Sir Bannister Fletcher's a History of Architecture. Massachusetts: Architectural Press, 1896.
  • Csapo, Eric and Margaret Christina Miller, ed. The Origins of Theatre in Ancient Greece and Beyond: From Ritual and Drama. Cambridge: Cambridge University, 2007.
  • Currie, Ryder Hector. "The Symmetry of Delphi." Theatre Survey 12 (November 1971): 97-103.
  • Curtis, Julia. "The Architecture and Appearance of the Charleston Theatre: 1793-1833." Educational Theatre Journal 23, no. 1 (1971): 1-12.
  • Dale, Antony. The Theatre Royal Brighton. London: Oriel Press, 1980.
  • D'Amico, Jack. "Drama and the Court in La Calandria." Theatre Journal 43, no. 1 (Mar 1991), 93-106.
  • Darstellungsplustechnik. Wuerzburg, Germany: Darstellungsplustechnik-Verlaggesellschaft, 1965.
  • Daufresne, Jean-Claude. Theatre de l'Odeon: Architecture, Decors, Musee. Sprimont: Mardaga, c.2004.
  • Dean, Joseph. Middle Temple Hall: Four Centuries of History. London: Furnival, 1970.
  • Declercq, N. C., and C. S. A. Dekeyser. "The Acoustics of the Hellenistic Theatre of Epidaurus: The Important Role of the Seat Rows." PapersFirst 19 (2007).
  • Denard, Hugh. "Virtuality and Performativity : Recreating Rome's Theatre of Pompey." PAJ: A Journal of Performance and Art 24, no. 1 (Jan 2002): 25-43.
  • Dening, C.F.W. "Theatre Royal, Bristol." Builder 164 (21 May 1943): 448-450.
  • D'espouy, Hector. Greek and Roman Architecture in Classic Drawings. Canada: General Publishing Comapany., LTD, 1981.
  • Devastation Of The War In The Inns Of Court London. American Bar Association, Special Committee on Restoration of Inns of Court, c1949.
  • Diderot, Denis, and Jean lo Rond d'Alembert. Theatre architecture & stage machines : engravings from the Encyclopedie, ou Dictionnaire raisonne des sciences, des arts, et des metiers. 1762.
  • Dilke, O.A.W., "Details and Chronology of Greek Theatre Caveas." The Annual of the British School at Athens 45 (1950): 20-62.
  • Dilke, O.A.W. "The Greek Theatre Cavea." Annual of the British School at Athens 43 (1948): 125-92.
  • Dinsmoor, William Bell. The Architecture of Ancient Greece: an account of its historic development. New York: Norton, 1975.
  • Doat, Jan.(avec la collaboration de Carlotti, Meunier [et] Ratigner. Pref. de Raymond Cogniat) Architecture et decors de theatre; propositions d'architecture, de dispositifs sceniques et de decors pour theatres libres ou ambulants, couverts, ou de plein air [par]. Paris: Library Theatrale, 1900s.
  • Donaldson, Frances. The Royal Opera House in the Twentieth Century. London: Weidenfeld and Nicholson, 1988.
  • Donati, Paolo. Descrizione del Gran Teatro Farnesiano di Parma. Parma: Stamperia Blanchon, 1817.
  • Donnelly, Marian C. "Theaters in the Courts of Denmark and Sweden from Frederik II to Gustav III." Journal of the Society of Architectural Historians 43, no. 4 (December 1984): 328-340.
  • Dorotte, Xavier and Jacqueline Brotte. Avignon, Theatre d'Architecture. Avignon: A. Barthelemy & J.J. Serignan, c. 1990.
  • Dorpfeld, W. Et al. Stadtgeschichte von Thera. Berlin: Verlag Von Georg Reimer, 1904.
  • Dukes, Ashley. "Germany's Oldest Theatre: The Ducal Theatre of Celle." Theatre Arts 30 (April 1946): 236-237.
  • Dumont, Gabriel Pierre Martin. Parallele de Plans des Plus Belles Salles de Spectacles d'Italie et de France. New York: Benjamin Blom, 1968.
  • Dutton, Richard, ed. The Oxford Handbook of Early Modern Theatre. Oxford: Oxford University Press, 2009.
  • Earl, John and Michael Sell. Guide to British Theatres, 1750-1950. London: A. & C. Black, 2000
  • Earle, Mortimer L. "The Megalopolis Theatre." The Classical Review 5, no. 7 (July 1891): 343-44.
  • Eccles, Christine. The Rose Theatre. New York: Routledge, 1990.
  • Elder, Eldon. Will It Make a Theatre? New York: American Council for the Arts, 1993.
  • Electa Editrice. Il Luogo Teatrale a Firenze. Milan: Electa Editrice, 1975.
  • Enciclopedia Dello Spettacollo. Rome: Casa Editrice Le Maschere, 1962.
  • Ernst, Earle. The Kabuki Theatre. New York: Grove Press, 1956.
  • Ewer, Monica. "The Player King and the Theatre at Drottningholm." Theatre Arts Monthly 15 (1931): 228-232.
  • "Exotic Theatres: Past, Present' Projected." Theatre Annual 18 (1961): 68-86.
  • Falconieri, John V. "The Old Corrals of Spain." Theatre Survey 4 (1963): 29-40.
  • Falkener, ------. Theatres and Other Remains in Crete. N.p.: 1854.
  • Farrell, Joseph, and Paolo Puppa. A History of Italian Theatre. Cambridge: Cambridge University Press, 2006.
  • Ferrari, Giovanna. "Public Anatomy Lessons and the Carnival: The Anatomy Theatre of Bologna." Past and Present no. 117 (November 1987): 50-106.
  • Ferguson, Ronnie. "Venues and Staging in Ruzante's Theatre: A Practitioner's Experience." In The Renaissance Theatre: Texts, Performance, Design, edited by Christopher Cairns, 146-59. Aldershot, England: Ashgate Publishing Limited, 1999.
  • Fiechter, E. Antike Griechische Theaterbauten. 9 vols. Stuttgart, Germany: Verlag von W. Kohlhammer, 1930-50.
  • Fiechter, Ernst R. Die Baugeschichtliche Entwicklung des Antiken Theatres. Munich: C.H. Becksche Verlagsbuchhandlung, 1914.
  • Finley, M.I., ed. Atlas of Classical Archaeology. New York: Mcgraw-Hill, 1977.
  • Fischel, Oskar. "Art and the Theatre-II." The Burlington Magazine for Connoisseurs 66, no. 383 (February 1935): 54-68.
  • Fitzgerald, Percy. "Theatres, Their Construction and Arrangement." Art Journal 38 (1976): 13-15, 69-72, 165-68, 273-75, 293-95, 325-27, 357-58.
  • Flickinger, Roy C. The Greek Theatre and its Drama. Chicago: University of Chicago, 1938.
  • Foakes, R.A. Illustrations of the English Stage 1580-1642. London: Scolar, 1984.
  • Foakes, R.A. "The Discovery of the Rose Theatre: Some Implications." Shakespeare Survey 43 (1991): 141-8.
  • Fossum, Andrew. "Excavations by the School at Eretria, 1891: III and IV." The American Journal of Archaeology and of the History of the Fine Arts 7, no. 3 (September 1891): 253-266.
  • Fossum, Andrew. "Harmony in the Theatre at Epidauros." American Journal of Archaeology, ser. 2, 30 (1926): 70-75.
  • Fossum, Andrew. "The Stage-Building of the Theatre of Eretria." American Journal of Archaeology 7 (September 1891): 257-66.
  • Fossum, Andrew. "The Theatre at Sikyon." The American Journal of Archaeology and the History of the Fine Arts 9, no. 3. (Jul.-Sep., 1905): 263-276.
  • Forni, Giovanni. "Teatro: Eta classica" [Theatre: classical era] Enciclopedia Della Spettacolo, vol. 9, cols. 724-58. Rome: Casa Editrice Le Maschere, 1962.
  • Frederiksen, R. "Typology of the Greek theatre Building in late Classical and Hellenistic Times." Proceedings of the Danish Institute of Athens 3 (2000): 135-75.
  • Frere, Sheppard. Verulamium Excavations: Reports of the Research Committee of the Society of Antiquaries of London 2 no. 41 (1928).
  • Frick, John W. and Carlton Ward. Directory of Historic American Theatres. New York: Greenwood, 1987.
  • Frova, Antonio, ed. Scavi di Caesarea Maritima. Rome: L'ERMA di Bretschneider, 1966.
  • Fuchs, Theodore. Functional Planning of Educational Theatre Facilities. Wilmette, IL: Research Publications, [1968?].
  • Fyfe, Theodore. Hellenistic Architecture: An Introductory Study. Cambridge: Cambridge University Press, 1936.
  • Gamble, William Burt. The Development of Scenic Art and Stage Machinery: A List of References in the New York Public Library. Rev. And Enl. Ed. New York: New York Public Library, 1928.
  • Gandolfi, Vittorio. Il Teatro Farnese di Parma. Parma: Luigi Battei, 1980.
  • Gardner, E.A., et al. "The Theatre at Megalopolis." Journal of Hellenic Studies 11 (1890): 294-98.
  • Garlick, Gorel. To Serve the Purpose of the Drama: The Theatre Designs and Plays of Samuel Beazley, 1786-1851. London: Society for Theatre Research, 2003.
  • Gascoigne, Bamber. World Theatre. London: Ebury Press, 1968.
  • Gassner, John, and Ralph Allen, eds. Theatre and Drama in the Making: from Antiquity to the Renaissance. New York: Applause Theatre Books, 1992.
  • Gassner, Julius S. "The Roman Theater at Vaison-la-Romaine." The Classical Journal 66, no. 7 (1966): 314-317.
  • Gebhard, Elizabeth. "The Form of the Orchestra in the Early Greek Theater." Hesperia 43 (Fall-Winter 1972): 428-440.
  • Gebhard, Elizabeth R. The Theatre of Isthmia. Chicago: University of Chicago Press, 1973.
  • Georgian Theatre (Richmond) Trust Ltd. The Georgian Theatre. Richmond, Yorkshire. 2nd Ed. Richmond: The Trust, 1973.
  • Geraghty, Anthony. "Wren's Preliminary Design for the Sheldonian Theatre." Architectural History 45 (2002): 275-288.
  • Gerkan, Armin von, and Wolfgang Mueller-Wiener. Das Theater von Epidauros. Stuttgart, Germany: W. Kohlhammer, 1961.
  • Gerritsen, Johan. "De Witt, Van Buchell, the Swan, and the Second Globe: An Assessment of the Evidence." Shakespeare Yearbook 15 (2005): 9-31.
  • Gishford, Anthony. Grand Opera: The Story of the World's Leading Opera Houses and Personalities. Worthing, West Sussex: Littlehampton Book Services Ltd., 1972.
  • Glasstone, Victor. "Architecture, Theatre." Oxford Companion to the Theatre, edited by Phyllis Hartnoll, 33-42. 3rd ed. London: Oxford University Press, 1967.
  • Glasstone, Victor. Victor Glasstone Papers for "Theatre Architecture in Britain." Houghton Library, Harvard Theatre Collection, Harvard University. 1968,1970.
  • Glasstone, Victor. Victorian and Edwardian Theatres. London: Thames and Hudson, 1975.
  • Goodell, Thomas Dwight. "Doerpfeld and the Greek Theatre." American Journal of Philology 18, no. 69 (1897): 1-18.
  • Goodfellow, Terence. Hoxton Hall: A Short History. London: Hoxton Hall, 1977.
  • Graves, R.B. "Daylight in the Elizabethan Private Theatres." Shakespeare Quarterly 33, no. 1 (1982): 80-92.
  • Graves, Thorton S. The Court and the London Theatres During the Reign of Elizabeth. New York: Russell & Russell, 1967.
  • Grenier, Albert. " L'Architecture: Ludi et Circenses, Theatres, Ampitheatres, Cirques." Manuel D'archaeologie Gallo-Romaine 4, pt. 2 (1958): 561-1026. Griffin, Audrey. Sikyon. Oxford: Clarendon, 1982.
  • Gruber, Alain. "L'Opera de Versailles est-il l'oeuvre de Gabriel?" Revue de l'Art, no. 13 (1971): 87-97.
  • Gurr, Andrew. Rebuilding Shakespeare's Globe. New York: Routledge, 1989.
  • Gurr, Andrew. The Shakespearean Stage, 1574 - 1642. Cambridge: Cambridge University, 1992.
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